The Explanation
(for those who require one)

And, of course, that is what all of this is -- all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs -- that song, endlesly reincarnated -- born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 -- same journey, same miracle, same end and endlessness."
-- Nick Tosches, Where Dead Voices Gather

Art at 45 Revolutions per Minute #4

Hey Cowboy/Vem Kan Selga
Lee Hazlewood and Nina Lizell
(LHI Records; 1970)


swac said...

BTW, there's a new compilation CD of Lee Hazelwood's LHI Records period, with some choice Ann-Margret sides. Well worth seeking out (with a cover that looks like Lee's tribute to the original Electric Ladyland cover).

chained and perfumed said...

Agreed, whoever complied that album did a heck of a good job. And that cover is worth the price of admission alone.