The Explanation
(for those who require one)

And, of course, that is what all of this is -- all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs -- that song, endlesly reincarnated -- born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 -- same journey, same miracle, same end and endlessness."
-- Nick Tosches, Where Dead Voices Gather

Adventures in American Filmmaking #145


Today's Adventure: On the set of Who's Afraid of Virginia Woolf?, Mike Nichols and Elizabeth Taylor watch as Richard Burton (along with every drop of hooch in his system at that moment) is twirled around and around and around by the Camera Operator (1966)

1 comment :

vilstef said...

Burton once said he had to be sober to play drunk. He said he had no idea how to behave before the camera when he was drunk.