The Explanation
(for those who require one)

And, of course, that is what all of this is -- all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs -- that song, endlesly reincarnated -- born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 -- same journey, same miracle, same end and endlessness."
-- Nick Tosches, Where Dead Voices Gather

Adventures in the Fight Racket #38

Today's Adventure:

Original Caption:

A More Happy Fella Than Yesterday.

New York -- Brawny Gene Fullmer and his wife Dolores stand in front of Broadway's Imperial Theater where 'The Most Happy Fella' is playing; an appropriate spot for Fullmer the morning after his victory over Charles Humez in a bloody ten-round fight at Madison Square Garden. The Fullmers are heading for their West Jordan, Utah, home. The 24-year-old mining welder stood out as the number one challenger for the Middleweight crown of Sugar Ray Robinson after his victory over France's Humez. Fullmer said a millionaire friend would underwrite a $1,000,000 guarantee to Robinson if necessary to entice the champion into the ring. (1956)

3 comments :

Joe Thompson said...

The fight, when it came off, turned out to be a huge upset. Sugar Ray lost.

TIM said...

Why didn't the "Most Happy Fella"
ever become a film?

estiv said...

Why didn't the "Most Happy Fella"
ever become a film?


Perhaps the biggest obstacle was the fact that it includes so much singing that it's sometimes described as being closer to an opera than a standard musical. Like The Umbrellas of Cherbourg, I suppose, which can baffle first-time viewers.