The Explanation
(for those who require one)

And, of course, that is what all of this is -- all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs -- that song, endlesly reincarnated -- born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 -- same journey, same miracle, same end and endlessness."
-- Nick Tosches, Where Dead Voices Gather

Africa Talks to You #6

Original Caption:

Scene from 'King Kong.'

Johannesburg -- American and British theater goers are likely to be seeing in the next season or so an all-African jazz opera that is a smash hit in South Africa and could become one in New York and London. The show, called 'King Kong' is based on the real life story of Zulu heavyweight champion Ezekiel Dhlamini who, after being knocked out by a mere middleweight lost his popularity, became a vicious bully, and ended up a murderer. In this scene from the show, African actor-singer Nathan Mdledle, as "King Kong," dances with his gangster-moll girl friend, played by Miriam Makeba, at an illicit liquor den. (1959)

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