Seminal Image Friday #1:
Frames Within the Frame (Part One)

Gold Diggers of 1933
(Mervyn LeRoy, Busby Berkeley; 1933)
Help!
(Richard Lester; 1965)
Qui êtes-vous, Polly Maggoo?
(Who Are You, Polly Magoo?)
(William Klein; 1966)
Stakeout on Dope Street
(Irvin Kershner; 1958)
Hapax Legomena I: Nostalgia
(Hollis Frampton; 1971)
Alice in Wonderland
(Jonathan Miller; 1966)
Playtime
(Jacques Tati; 1967)
Catch-22
(Mike Nichols; 1970)
Un Bounty killer a Trinità
(A Bounty Killer for Trinity)
(Oscar Santiello, Joe D'Amato; 1972)
The Sand Pebbles
(Robert Wise; 1966)
La môme
(The Little Girl)
(Olivier Dahan; 2007)
Yukinojo henge
(An Actor's Revenge)
(Kon Ichikawa; 1963)
This is England
(Shane Meadows; 2006)
Whity
(Rainer Werner Fassbinder; 1971)
Days of Heaven
(Terence Malick; 1978)
Control
(Anton Corbijn; 2007)
Dog Day Afternoon
(Sidney Lumet; 1975)
Body Snatchers
(Abel Ferrara; 1993)
Nel nome del padre
(In the Name of the Father)
(Marco Bellocchio; 1972)
Brazil
(Terry Gilliam; 1985)
Bonnie and Clyde
(Arthur Penn; 1967)
L'oeil du malin
(The Third Lover)
(Claude Chabrol; 1962)
Blow Up
(Michelangelo Antonioni; 1966)
Invasion of the Body Snatchers
(Don Siegel; 1956)
Les fruits de la passion
(Fruits of Passion)
(Shuji Terayama; 1981)












































































































