The Explanation
(for those who require one)

And, of course, that is what all of this is -- all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs -- that song, endlesly reincarnated -- born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 -- same journey, same miracle, same end and endlessness."
-- Nick Tosches, Where Dead Voices Gather

In the Studio #12


Nancy Sinatra and John Barry

4 comments :

Robert Fiore said...

The trouble with Nancy Sinatra as a sex symbol was that to imagine taking her to bed was to imagine Frank cutting your balls off . . .

Testify said...

Presumably this was taken during the You Only Live Twice sessions.

The producers of You Only Live Twice decided they didn’t like theme song as it was originally sung by one Julie Rogers so approached Frank Sinatra about the job. Sinatra Snr passed on it but suggested they use his daughter Nancy. It was not an easy gig.

"You Only Live Twice was a real stretch for Nancy," John Barry, the songs composer recalled for Eddi Fiegel's book John Barry A Sixties Theme, "as a song it's kind of all over the place, and the bridge is particularly difficult, so all in all it was a bit of a reach for her. whats now in the movie was made up of about twenty-four takes. It was a real masterpiece of editing. There was just no way we'd have got it in one take. She'd get one bit right the first time but then she'd get another bit wrong. So that was what we call 'a glue job'. She knew. She'd say 'That's a good bit there, you can cut that in, John, can't you?' She didn't have any illusions about it."

(taken from my blog:
http://testifyse15.blogspot.com/2007/06/happy-birthday-nancy-sinatra.html)

Vanwall said...

It may have been a cut-n-paste, but it is my favorite Bond movie song, and one of my favorite into songs ever; has to be the movie version, tho, the later cover is nothing to write home about.

Richard Gibson said...

Good picture and good post from Testify!