The Explanation
(for those who require one)

And, of course, that is what all of this is -- all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs -- that song, endlesly reincarnated -- born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 -- same journey, same miracle, same end and endlessness."
-- Nick Tosches, Where Dead Voices Gather

Seminal Image #842


Il Grido
(The Cry)
(Michelangelo Antonioni; 1957)

3 comments :

Vanwall said...

Steve Cochran was so good in this movie - he was sadly under-rated. I think his personal life got in the way of contemporary critics' views of his performances.

R.H. said...

Dixieland.

Here. Everywhere.

Social science gets a smart address, and Dixie as a client.

Kreisler said...

I'd always take this ahead of Antonioni's 60s films along with Cronaca di un Amore.