Seminal Image #771

Operación Ogro
(Gillo Pontecorvo; 1979)
An Ongoing Series of Cultural and Personal Observations;
by Tom Sutpen, Stephen Cooke, Richard Gibson, Kimberly Lindbergs and Greg Ferrara

Jack Hulbert
No. 27 in a series of 50 from Player's Navy Cut Cigarettes
Jack Hulbert was born in Ely on April 24th, 1892. He was educated at Westminster and Cambridge, where he joined the amateur theatrical group, and decided that as he had a natural talent for entertaining others, he might as well earn his living by it. In 1913 he made his professional debut in The Pearl Girl, in which a leading role was taken by Cicely Courtneidge, who was destined to become famous with him and to be his wife. After the War, he returned to a successful career, and later took up film work with even greater success, his best-known pictures including Falling for You and The Camels Are Coming.

Today's Adventure: Referee Mushy Callahan counts Carl 'Bobo' Olson out in the
Fourth, thereby ending his Middleweight title shot against Sugar Ray Robinson (1956)

John Sumner, President of The Society for the Suppression of Vice and Martin H.
Meany, New York City Deputy Police Commissioner, supervise the destruction of
forbidden books (1935)
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The demure, stage-bound ingenue; sometime in the 1920s
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What Cecil Beaton saw (1931)
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Tallulah in Hollywood; accompanied by her, uh, secretary (1932)
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On a Rail: A departing Tallulah gazes back at Hollywood from a pullman car on the
Santa Fe Chief (1932)
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Lower Your Eyebrows: Tallulah and a, um, friend exit Alexander Korda's The Private Life of Don Juan (1934)
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La Ronde '40: As Helen Hayes gazes longingly at Herbert Hoover, Tallulah and the former President turn on the charm to a much-amused Katherine Hepburn (1940)
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See What the Boys in the Back Room Will . . . : Tallulah raises a glass, to and
for the gentlemen of the press (1950)
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Carnal intentions?: Tallulah clinks glasses with a distressed Louis Armstrong (1951)
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Servant trouble: As her former maid goes up on a forgery/grand larceny
beef, a mink-clad and world-weary Tallulah makes her witness before the
bar of justice (1951)
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Old Shep: Tallulah demonstrates the boundlessness of her affection (1951)
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All the Way with Adlai: Tallulah gives Gov. Adlai Stevenson her rapt attention (1952)
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Been There, Done . . . THAT??: Tallulah sells her story (1952)
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What a Little Moonlight Can Do: As Lucille Ball, Desi Arnaz, Montgomery Clift and Marlene Dietrich sit ringside, Tallulah opens at The Sands (1953)
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Exhausted: Tallulah takes a much-needed break at a CBS recording session (1953)
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Another decade, another secretary (1954)
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Party Girl: Tallulah celebrates . . . something at New York's Hotel Ambassador (1954)
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She Will Lead You, And Then: Starring in a sorely-needed revival of the Ziegfeld Follies, Tallulah acts as chaperone to some uneasy latter-day Ziegfeld Girls (1956)
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Their Hearts Were Young and Gay: Tallulah is mauled in public by former
President Harry S. Truman (1958)
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Her Greatest Challenge: Tallulah acts as chaperone to Rock Hudson at the
premiere of Otto Preminger's Porgy and Bess (1959)
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The demure, stage-bound ingenue; sometime in the late 1950s

Hilde Marchant, chronicler of the Battle of Britain for England's Daily Express, gnaws
on the finger of NBC Today's J. Fred Muggs

Original Caption:
New York -- Nine women and five hundred men were herded into scores of police wagons and transported to Police Headquarters in the largest roundup of suspicious characters that New York City has yet known. The drive is believed to have been prompted by the State Public Enemy Law which forbids assembling of known criminals for illegal purposes. Authorities believe they will have to release most of the suspects, as there is no way of proving illegality in connection with their meetings. Photo shows some of the suspects crowded in an ante-room, before appearing in the line up. (1935)

Oscar Peterson (1925-2007)
Not just Canada's greatest jazz musician, but one of the most talented players the music ever produced, whether swinging hard with his trio (the Ray Brown/Herb Ellis years are hard to beat) in the '50s or matching melodic wits with a variety of fellow geniuses, from Count Basie to Dizzy Gillespie, on a series of duet LPs for Pablo in the '60s. Peterson was a gifted and generous artist, an accomplished composer, and by all accounts a humble and unassuming man who came to life the moment skin touched ivory.
Listening to a live recording of Peterson with bassist Brown and guitarist Ellis from 1958, I can hear a joy and enthusiasm for playing that never gets in the way of delicate, finely measured finger work. Perhaps not a maverick like Art Tatum or Thelonious Monk, Peterson nevertheless brought a new level of sophistication and a higher standard of musicianship to his instrument that many have learned from, but few have mastered.
The Globe and Mail obituary can be found here
This was posted by swac
for the series:
Great Canadians of the 20th Century,
Obits

Today's Adventure: Richard Arlen and Louise Brooks go over a scene with writer Jim Tully on the set of Beggars of Life (1928).
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An effigy of Saint Nick, and a festive greeting rendered in shaving cream, ornament an armored vehicle some 40 miles West of Saigon (1969)
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With a dash of Yuletide cheer, members of the 2nd Squadron, 11th Armored Cavalry help to create a convoy road to Bu Dop Special Forces Camp, located three miles east of the Cambodian border (1970)
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Francis Cardinal Spellman does a guest shot at the Ordinance Depot outside of Long Binh; celebrating Christmas mass before 5,000 troops (1966)
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Two USAF Lieutenants prepare Christmas dinner for their comrades at a P.O.W. Camp located somewhere in the North of Vietnam (1968)
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A group of Montagnards in Pleiku brandish toys distributed to them by US Armed Forces (1966)
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In Cu Chi, troops of the 25th Infantry Division's mechanized unit conduct services during the Christmas cease-fire (1969)
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Surrounded by seasonal decor, U.S. Soldiers at the Special Forces base in Quan Loi catch up on their mail (1969)
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The hustle and bustle of pre-Tet commerce grips downtown Saigon (1970)
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It Is As It Was: Phyllis Diller and a club-wielding Bob Hope entertain a multitude of servicemen on the Carrier USS Ticonderoga (1965)
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A soldier from Australia buys remnants of Christmas cheer from an outdoor market in Saigon (1966)
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A small Christmas tree adorns this bunker on Hill 875 in Dak To (1967)
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In Bear Cat, a US Infantry Machine-gunner takes time out to read a Chrismas
card, sent to him all the way from home (1967)

The Nuova Villa Tammaro restaurant at Coney Island plays host to the most eventful game of Pinochle in history, as New York Organized Crime kingpin Giuseppe 'Joe the Boss' Masseria ends his reign. (1931)
The Prrrologue:
In the year of Our Lord, 1924, a bill passed by the United States Congress, then signed into law by President Calvin Coolidge, granted veterans of the First World War 'Adjusted Service Certificates'. It was thought a good idea. The certificates were, essentially, souvenirs; warrants of recognition for honorable duty in the defense of these United States that could, if the bearer so chose, be redeemed for a fistful of cold, hard cash after a maturation period of twenty years. It was a bonus, in other words; the kind one always receives in grateful tribute from one's employer for any job worth doing done well. In less than a decade, however, the unfiltered reality of Capitalism, American Style, soon dawned on everyone, and as a result the country found itself plunged into the sort of full-scale economic depression no one makes movies about anymore.
In June of 1932, some 15,000 veterans from across the nation -- carrying with them their wives, their children and greater or lesser degrees of desperation -- gathered as one in Washington, D.C. to petition that same United States Congress to enact legislation that would in effect force the War Department to do away with the maturation cycle and cough up the bonuses . . . now. Sponsored enthusiastically by the great Texas populist Wright Patman (who, some 40 years thereafter, would conduct the earliest Congressional inquiries into the abyss of mendacity that was Richard Nixon's 1972 Presidential campaign), the bill sailed through the House, then struck a reef in the Senate where, by its very nature, it was pronounced Dead On Arrival. In the meantime the petitioners, assuming style and title of The Bonus Expeditionary Forces, dug themselves in along the banks of the Anacostia River for the long haul, constructing a vast encampment of makeshift housing that announced to everyone with eyesight that The Bonus Marchers had no intention of leaving the nation's capitol without seeing their grievances redressed; just like it says in the Constitution. In honor of Washington's Chief Executive, they called these do-it-yourself cities Hoovervilles.
Within a month's time, President Herbert Hoover, unflattered by the honor and recognizing that the "depleted federal treasury" line really wasn't fooling anybody, asked the marchers to please go back where they came from. Congress suddenly snapped into action and kicked loose just enough money for carfare, and some of the marchers did take flight. But when the sweeping generosity of Washington's gesture failed to enchant the majority, the always-relaible D.C. Police were sent in to break some heads, while newspapers began the standard cycle of dark speculation on the presence of Anarchists, Communists and other "foreign radicals" in sinister control of Bonus Marcher ranks. The protest, despite the weight of this harassment, endured. On July 28, requesting that "all humanity consistent with the due execution of this order" be used, President Hoover asked Army Chief of Staff, Gen. Douglas MacArthur to clear out the Hoovervilles and send everybody home. And, with all consistent humanity, that's what he did.
Bringing to bear the full might of the US Army's 3rd Cavalry from Fort Myer, Virginia, and the 12th Infantry Regiment out of Fort Howard, Maryland, Gen. MacArthur unleashed an unremitting mandate from the US Capitol in the form of tear gas, unsheathed bayonets and plain, ordinary firepower. When it ended and the fires went out, over 1,000 marchers . . . and their wives . . . and their kids . . . were injured, four were dead, and the Anacostia flats -- once all the Hooverville lumber had been carted away -- resembled nothing less than a battlefield aftermath from that Civil War which suddenly must have seemed a lot closer in time to some Americans than it had just two months prior.
But with Franklin Roosevelt (that radical) in the White House, the Bonus Army returned to Washington one year later. Deploying his more winning charm, Roosevelt managed to buy off the marchers with construction jobs on the Overseas Highway, extending Route 1 to the Florida Keys. It was literally the least he could do. On Labor Day of 1935, some 250 former protesters were killed when a Hurricane demolished the unfinished project. Within a year, perhaps as a way of fending off the ravages of irony, Congress caved in (overriding a Presidential veto) and gave their last full measure of devotion; paying the two dollars to what remained of the Bonus Expeditionary Forces.
So ended the long Bonus March
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Original Caption:
New York: Police remove to station house the bullet riddled chair in which Salvatore Sabbatino, wealthy Vice President of a Stevedoring company and brother of a New York City Court Justice, shot to death Emil Camarda, General Vice President of the Atlantic Coast District of the Longshoremen's Association (AFL) in Sabbatino's private office, October 2, 1941. Sabbatino has not been captured. (1941)

Luxury-coated women of trade in midtown are escorted downtown by New York City
Vice Squad detectives after a late-night roust (1943)

After raiding this Chicago speakeasy, Prohibition agents kick back and sample
the cuisine (1924)

Club wielding police charge a picket line at the Gera Mills in Passaic, New Jersey;
injuring man, woman and child alike (1926)
This was posted by Tom Sutpen
for the series:
An Illustrated History of American Labor

From the original caption:
Hollywood: Sexy Sextet. These six charmers have just won roles as Lana
Turner's handmaidens in the new movie Diane, set in the 16th century.
The girls are playing appropriate instruments of the period, such as the
viola da gamba, cittern, dulcimer, rebec, clarion, viola d'amore and virginal,
but their brand of beauty is strictly 20th century. They are left to right, standing:
Ann Brendon, Fay Morley and Alicia Ibanez. Seated, left to right: Bunny
Cooper, Barbara Darrow and Ann Staunton. (1955)

On the scene at Joe's Restaurant in Cliffside Park, Bergen County Attorney
General Nelson Stamler looks down upon Willie Moretti, recently deceased
gambler and longtime associate of New Jersey rackets overlord Joe Adonis (1951)

Jack Benny
(Okay, okay . . . I know, but . . . I ask you, who could resist this image?)
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Stephen Sondheim, Arthur Laurents, Harold Prince, Robert E. Griffith, Leonard Bernstein and Jerome Robbins

Wheeler & Woolsey in I've Got to Sing a Torch Song
(Tom Palmer; Warner Bros.; 1933)

Charles Ponzi
This was posted by Tom Sutpen
for the series:
Great Con Artists of the 20th Century

"The Black Panther thinks and loves Black people"
This was posted by Tom Sutpen
for the series:
From the Black Panther Coloring Book

Langston Hughes

Today's Adventure: Frances Farmer shoots a scene for Border Flight on Malibu Beach.

Leslie Howard
No. 26 in a series of 50 by Player's Navy Cut Cigarettes
Leslie Howard was born in London on April 24th, 1893, and on leaving Dulwich College, worked as a bank clerk. He served with the 10th Hussars until he was invalided out of the army in 1917, and then turned to the stage. While appearing in America, he accepted the leading role in the film version of Outward Bound. Later films include Service for Ladies (which he made in England), Smilin' Through, Berkeley Square, Of Human Bondage, British Agent and The Scarlet Pimpernel. His real name is Stainer; he is married and has a son and daughter.

Five policemen remove a wounded man from the South Chicago plant of Republic
Steel; scene of a vicious battle between workers (four killed; nearly one hundred
injured), local police and hired vigilantes (1937)
This was posted by Tom Sutpen
for the series:
An Illustrated History of American Labor

Today's Adventure: On the set of La Strada, Federico Fellini wraps a blanket
around Giulietta Masina (1954)

A sanguine Benny Siegel is brought in for questioning about his involvement in
the Thanksgiving Day slaying of Murder Inc. turncoat, Harry 'Big Greenie'
Greenberg (1940)

Günter Grass and Norman Mailer
(gargantuan thanks to Hanan Levin of growabrain for this image of literary winter)

Rep. Adam Clayton Powell, Jr. (D-NY) humps an LP from his hiding place in Bimini

From the original caption:
"If the Brooklyn Dodgers ever make that shift to Los Angeles, the Dodger's
famed catcher Roy Campanella had better look to his laurels. He may have
competition in 'Robby,' Hollywood's mechanical man, who is serving as
battery mate for young Richard Eyer, ardent little leaguer, here. The pair,
incidentally are also co-players in MGM's forthcoming science-fiction
movie, The Invisible Boy." (1957)

The Last Picture Show
(Peter Bogdanovich; 1971)
(immense thanks to Michael Bingaman for this image)

Jimmy's fiancƩe and her father leave the house in disgust
(from Tantalizing Tommy)
(by Paul Gavault and Michael Morton; 1910)
This was posted by Tom Sutpen
for the series:
From The Playgoer and Society Illustrated

Today's Adventure: Dario Argento directs Catherine Spaak in Il Gatto a nove code
(Cat o' Nine Tails; 1971)
This was posted by Kimberly Lindbergs
for the series:
Adventures in European Filmmaking

Julie Christie
This was posted by Kimberly Lindbergs
for the series:
A Who's Who of Swinging London

Today's Adventure: Metropolis premieres at the UFA Pavillion in
Nollendorfplatz, Berlin (1927)
This was posted by Richard Gibson
for the series:
Adventures in European Filmmaking

Grace Slick . . .
. . . uses a gesture whose recent frequency on this blog could be misinterpreted by our visitors

Gary Cooper and Marlene Dietrich stare languidly in different directions
in this publicity still for the Paramount release, Morocco (1930)

(extravagantly-worded thanks to Lex10 of Glyphjockey for this star-studded image)

Walter Winchell kicks off a two-week engagement at the Tropicana Hotel in Las Vegas with a sacroiliac-punishing Mambo (1958)

Today's Adventure: On the set of Carrie, William Wyler dutifully trims Laurence
Olivier's moustache (1952)

On display at the Putnam Museum and IMAX Theater in Davenport,
Iowa is this gold-plated Bach Stradivarius Cornet (serial no. 0620;
bell-mandril #106), purchased in February of 1927 by Leon Bix
Beiderbecke; whose middle name is engraved on its bell.
Update: The webmaster of a Bix Beiderbecke tribute site, under the impression that the above image was knowingly extracted from his corner of the internet, has insisted that we here at If Charlie Parker Was a Gunslinger . . . alone among all other sites and blogs who've posted it, provide a link to its presence at his site as well. We are, as always, happy to comply with even the most polite request.
The same image of this gold-plated Bach Stradivarius Cornet can be found . . . here

Today's Adventure: Sonny Liston practices the Field Sobriety Test, while
disguised as Sir Harry Lauder (1963)

Waking up this morning to the news that Evel Knievel has died.
Links to the obituaries:
The Independent
Kansas City Star