Sex Education #81

Natalie Wood
An Ongoing Series of Cultural and Personal Observations;
by Tom Sutpen, Stephen Cooke, Richard Gibson, Kimberly Lindbergs and Greg Ferrara

Anthony Quinn and Anna Karina
(immense thanks to Kimberly Lindbergs of Cinebeats for this image!)

R. Buckminster Fuller sits down and looks up
(big time thanks to Jeff Duncanson for this image!)

Mona Hinton, Ike Quebec, Doc Cheatham, Mario Bauza and Shad Collins, on tour in Alabama in 1949.

El Santo Contras las Mujeres Vampiro (Santo Vs. the Vampire Women)
(Alfonso Coronoa Blake; 1962)

Peter Orlovsky, Jack Kerouac and William S. Burroughs
(photo by Allen Ginsberg)
(thanks and thanks again to Hannah for this image)

For the Southern [region], meeting this demand requires a total of 7,000 trains a day running 60,000,000 miles a year. More than a quarter of these trains run in the two short peak periods of each day. A bird's eye view of the south east in the rush hour would show a fascinating picture of green streaks seperated by less than a mile all moving, as if drawn by a magnet, towards the centre.
Between 08.10 and 08.20 no fewer than 37 trains every minute are converging on London, most of them running on a two-minute gap between trains and their timetables worked out to the second - 20 seconds is, in fact, the waiting time allowed at most stations.
This was posted by Richard Gibson
for the series:
From the Southern Travellers Handbook for 1965/66

The picked hops were collected in a large sack attached beneath a wooden tripod which held the mouth of the sack open
This was posted by Richard Gibson
for the series:
Through the Lens of Cyril Arapoff
This was posted by Richard Gibson
for the series:
From the Sketch Book of Lawson Wood

An interview with The Walker Brothers signals potential differences.
Gary Walker: "Pop backwards spells MONEY."
John Walker: "Pop backwards spells POP."
Scott Walker: "I'm in it [the pop music business] for different things. I'm really not in it for the money, I don't care about money, which sounds ridiculous but actually I don't.
I'm in it from a strictly creative point of view. If I can do records and...erm...produce records, write music...".

Hard as it must be for the rush-hour commuter, jammed in the corridor, to believe it but he is not even a particularly profitable customer. The reason is that satisfying the needs of hundreds of thousands of commuters simultaneously means providing carriages, track and staff that either stand idle or are under used for the rest of the day.
This was posted by Richard Gibson
for the series:
From the Southern Travellers Handbook for 1965/66

Richard Dix
No. 16 in a series of 50 from Player's Navy Cut Cigarettes
"Christened Ernest Carlton Brimmer, Richard Dix was born in St. Paul, Minnesota on July 18th, 1894. His father wished him to become a doctor, like his brother, but Richard, upon graduating from college, decided upon a stage career. He scored a success, and then turned his attention to films, his first being Not Guilty. He was a popular star in silent pictures, and his popularity has not been diminished by the talkies. Among his recent successes are Ace of Aces, Day of Reckoning, Stingaree and His Greatest Gamble. He has been married twice, his second wife being Virginia Webster, his former Secretary."

Commuters
Commuting is disagreeable. Wasteful of time, money and energy - but also, it seems, an inevitable consequence of material prosperity.
Indeed, the more prosperous we become, the worse it gets. There are more cars on the roads, more people working shorter hours - and better able to afford the advantage of living well out of London - and even more crowding into the trains.
Possibly the ban on office building in central London will help; it is even possible, though unlikely, that office hours will be staggered one day.
By Ian Waller.
This was posted by Richard Gibson
for the series:
From the Southern Travellers Handbook for 1965/66

Introduction
I hope that this handbook will interest our customers and provide useful information as well on the services which British Railways in general, and the Southern Region in particular, can now offer.
We are naturally taking this opportunity to explain some of our problems and to publicise many of our achievements. But our prime purpose has been to produce a book of general value to all who live in the South.
We shall be revising and re-issuing this handbook each year and recovering most of its cost from advertisements and the revenue from sales.
I hope that when you have read it you will feel that we have achieved most of what we set out to do - and that you will look forward with pleasure to the next edition.
D. McKenna, General Manager, Southern Region
This was posted by Richard Gibson
for the series:
From the Southern Travellers Handbook for 1965/66

Asylum
(Peter Robinson; 1972)
(tremendous thanks to Jason Comerford of One Letter at a Time for this here image)

Subida al cielo (a.k.a. Ascent to Heaven, or Mexican Bus Ride)
(Luis Bunuel; 1952)

Lindy Hoppers at Harlem's Savoy Ballroom cut a rug where there is none
(extravagant thanks to the great Jeff Duncanson for this image)

Apache Brave (1906)
This was posted by Tom Sutpen
for the series:
The Native-Americana of Edward S. Curtis

Women from London's East End having a 'holiday with pay!' working in the hop feilds of Kent. The tradition of working-class Londoners going hop-picking goes back at least to the eighteenth century.
This was posted by Richard Gibson
for the series:
Through the Lens of Cyril Arapoff
This was posted by Richard Gibson
for the series:
From the Sketch Book of Lawson Wood

Charles Chaplin, Daryl F. Zanuck, Samuel Goldwyn, Mary Pickford, Joseph Schenck
and Douglas Fairbanks

Judy Holliday spins some discs.
(Presumably there's some Gerry Mulligan in there somewhere.)

El Chismoso de la Ventana (The Gossiper at the Window)
(Gilberto Martinez Solares; 1956)

L'Armée des ombres
(Army of Shadows)
(Jean-Pierre Melville; 1969)
(big-time thanks to Nate Bundy of Real Political Face Talk for this image)
This was posted by Richard Gibson
for the series:
Through the Lens of Cyril Arapoff
This was posted by Richard Gibson
for the series:
From the Sketch Book of Lawson Wood