The Explanation
(for those who require one)

And, of course, that is what all of this is -- all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs -- that song, endlesly reincarnated -- born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 -- same journey, same miracle, same end and endlessness."
-- Nick Tosches, Where Dead Voices Gather

Musical Indulgence #5

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Barry Adamson

As part of today's Alfred Hitchcock blog-a-thon, our Musical Indulgence hails from Barry Adamson’s 1989 debut album and original soundtrack Moss Side Story.

Adamson gives us his re-working of the theme from Alfred Hitchcock Presents (drawn from Charles Gounod's 1873 composition, Funeral March of a Marionette). If you haven’t heard it, then you're in for a bit of a treat, as he takes something quite familiar and expands it. I won’t fail at trying to describe what he does but suffice to say I’m a huge admirer of Adamson's and I think he’s massively underrated.

This track wasn’t included on the vinyl editions of the album but was included on the CD along with ‘Chocolate Milkshake’ and ‘The Man With the Golden Arm’. If you’ve never heard this album, or any Barry Adamson, then Moss Side Story is as good a place as any to start.


Alfred Hitchcock Presents
(Barry Adamson; from Moss Side Story, 1989)