containing multitudes since 2004
Amazing what film school can do for you.The great Wally Wood once said, "Never draw anything you can copy, never copy anything you can trace, never trace anything you can cut out and paste up." (BTW, his "22 Panels That Awlways Work" would be good basic training in any visual medium, and is a good example of film-to-comics cross-pollination.) BCNU
I might be wrong about this, but I don't believe Allen Baron went to film school (which is perhaps one reason why Blast of Silence is the masterpiece it is). And I don't know if he was copying this scene in Walsh's film, but the sequence of shots is verysimilar.I still believe in the possibility of coincidences.
You are probably right, Tom, in a formal fashion, but his school was likely old school - countless viewings of old movies, I bet. This movie actually reminded me of "Killer's Kiss" in the way it was filmed - an almost gritty documentary style, but maybe all those NYC B&Ws from around then look the same to a desert rat. I'll have to watch it again.Someday, somebody outta clue all these writers in about silencers and revolvers - the gat of choice for the real smart hitman was a silenced Colt .22 Woodsman semi-auto for close-up work, with shaved bullets; silencers don't work with revolvers, only automatics. Breaks my suspension factor all to hell. I've always thought of him as a TV director, and I'm not sure I can remember anything about his other directorial efforts, other than seeing "Foxfire Light" on TV once - it was sort of sappy, I thought at the time - and I was having flashbacks to "Tammy and the Bachelor" every time Nielsen did his drawl. His TV output was amazingly broad-ranged, I'll give him that. BCNU
Anyone have a clue how I can see this film? I love low-budget NYC movie from this period (when I was growing up here.) From the little I've read about it, it sounds like it could rank right up there with WHO KILLED TEDDY BEAR? in my personal pantheon. But where TEDDY BEAR was frequently shown on local TV 30 years ago, I'd never even heard of BLAST OF SILENCE until quite recently.
It's available in bootleg form through a number of sites specializing in such releases; though it was just officially released on DVD in, I believe, France. I suspect we're not too long from an official release in the US, but one never knows with them usurious sumbitches over at Universal.Either way, get in touch with me off-blog if you'd like and I can hook you up with a copy, no problem.I think Who Killed Teddy Bear (a movie I've yet to come to a conclusion on) endured a bit longer due to its wall-to-wall prurience; plus the fact that it had recognizable actors in it. The most recognizable person in Allen Baron's film is Lionel Stander . . . and he just does the off-screen narration.Hmmmmm. I wonder if I should post a link to the article I wrote on this film last year . . .
I emailed Tom about BLAST OF SILENCE -- and I'd be very interested to read the article he mentioned. Please do post the link!
I got my copy of Blast of Silence from 5minutestolive.com.They also have Privilege and Skidoo, and the quality of their boots is quite decent.
Here's the article (on Blast of Silence):http://www.brightlightsfilm.com/48/blast.htm
Fascinating article. Now I'm even more eager to see the film, not to mention MURDER BY CONTRACT -- and maybe it's time for me to give CRIME OF PASSION another look. Still, there's something about those no-budget filmed-on-location thrillers that no studio-bound B-movie (no matter how cheap or disreputable) can match. Recently saw Walter Matthau's GANGSTER STORY for the first time (on TCM) and found it unspeakably awful, but the SoCal streets and "real" interiors kept me watching.
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