Constance Cummings. with Harold Lloyd in Movie Crazy. (1910-2005)
Whether in tragedy, farce, comedy or melodrama, Cummings, the daughter of a Seattle lawyer and a concert soprano, seldom failed to surprise. From being what a London critic, in 1934, called "a film star who can act", she learned, under her husband's direction, how to play (as James Agate put it) "anything from pitch-and-toss to manslaughter."Cummings had an astonishing early career in the pre-code days of Hollywood, appearing in the best of Harold Lloyd's sound pictures, Movie Crazy, as well as working with Frank Capra in American Madness and Howard Hawks in The Criminal Code. Celebrated at the time, but little-seen today, was her role in Broadway Through a Keyhole, a thinly disguised portrait of the marriage of Al Jolson and my fellow Dartmouthian, Ruby Keeler, starring Cummings and crooner Russ Columbo. Reportedly, Jolson was so outraged at the portrayal, he punched out its screenwriter Walter Winchell.
-from Constance Cummings' obit in The Guardian