The Explanation
(for those who require one)

And, of course, that is what all of this is -- all of this: the one song, ever changing, ever reincarnated, that speaks somehow from and to and for that which is ineffable within us and without us, that is both prayer and deliverance, folly and wisdom, that inspires us to dance or smile or simply to go on, senselessly, incomprehensibly, beatifically, in the face of mortality and the truth that our lives are more ill-writ, ill-rhymed and fleeting than any song, except perhaps those songs -- that song, endlesly reincarnated -- born of that truth, be it the moon and June of that truth, or the wordless blue moan, or the rotgut or the elegant poetry of it. That nameless black-hulled ship of Ulysses, that long black train, that Terraplane, that mystery train, that Rocket '88', that Buick 6 -- same journey, same miracle, same end and endlessness."
-- Nick Tosches, Where Dead Voices Gather

Seminal Image #113

The Life and Death of Colonel Blimp
(Michael Powell and Emeric Pressburger; 1943)


Rob said...

Wasn't Anton Walbrook marvelous in that one? Kerr of course, carried the whole thing. Livesey was much better in "I Know Where I'm Going!", IMHO.

swac said...

Couldn't you pretty much pick any frame from an Archers production at random and wind up with a seminal image?

Funny, I've been thinking about picking something from Black Narcissus...