The Art of Cinema #34


The Thin Man (1934)
If the pre-code era had to end, at least it went out with a bang with this late-cycle entry that's the epitome of wit and sophistication in Hollywood. Apparently Louis B. Mayer didn't think Loy was right for the role, and thought Powell was too old, but luckily W.S. Van Dyke thought differently after working with them on Manhattan Melodrama. With instinctive decision-making ability like that, I'm amazed Mayer lasted as long as he did in pictures.

I love lobby cards. They're simple, eloquent and, I can't stress this enough, cheap to frame. But often the use of one well-chosen photograph, and perhaps a smattering of design, can say volumes about the film it's promoting. And I'd be lying if I didn't say my eyes didn't mist up at the sight of Myrna Loy...if ever there was a Perfect Woman in the history of cinema, she's it. Sure, Jean Harlow and Clara Bow would be fun for a while, but you would almost taste the bitter end even at the very beginning of it all. Loy would be in it for the long haul.

4 comments:

Anonymous said...
This comment has been removed by a blog administrator.
swac said...

Um....why?

Tom Sutpen said...

Just a word to prospective Comment-wielders:

This forum has room for practically anything . . . but not spam; never spam. The comment we deleted was just such an exercise and, because of our vigilance and the help of MSN messenger, we resolved as one to thwart the malevolent machinations of the wily intruder in our midst.

In complete seriousness: We really don't want any Spam on this blog. If you've got a link you imagine our readers will be interested in, send it to either of us first.

We now return to "The Thin Man"; already in progress.

Ivan G. said...

That'll teach 'em! Away with you, Spam evildoers!!! You have no power here!